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The planned Hollywood Union show trial of Donald Trump was extinguished after the former President, woke to the fake woke people’s court nonsense, headed them off at the pass.
Trump’s response? Resign.
By doing so he effectively nullified Hollywood’s self-serving attempt at using its Union arm to charge, and convict him (as far as it’s within their power to do so) with crimes he never committed.
USA Today reported that President Trump ‘resigned from SAG-AFTRA after facing expulsion from the actors’ guild’ for his alleged “incitement” of riots on January 6th.
As noted, ‘on January 19th, the Screen Actors Guild board voted “overwhelmingly” that there is probable cause’ in regards to ‘Trump violating its guidelines for membership.’
USA Today added that ‘the charges are for Trump’s [alleged] role in the Capitol riot, and [again, allegedly] sustaining a reckless campaign of misinformation aimed at discrediting and ultimately threatening the safety of “journalists”, many of whom are SAG-AFTRA members.’ (parentheses mine).
The NY Times called the move a ‘disciplinary hearing’ then repeatedly referred to the former President as ‘Mr. Trump, a businessman.’
According to the NYT, SAG-AFTRA has confirmed the move, with the Union President stating,
“Donald Trump attacked the values that this union holds most sacred — democracy, truth, respect for our fellow Americans of all races and faiths, and the sanctity of the free press […] there’s a straight line from his wanton disregard for the truth to the attacks on journalists perpetrated by his followers.”
Rolling Stone rightly called the hearing an attempt to ‘banish Trump,’ and included Hollywood’s simple ‘thank you’ reply to his resignation.
In the official resignation letter Trump labelled the Union’s move a ‘blatant attempt at free media attention to distract’ [people] from lawsuits against the Union such as the group lead by Ed Asner. Who, according to Hollywood Reporter, are suing the ‘SAG-AFTRA Health Fund and its board of trustees for allegedly breaching their fiduciary duties…Actors say they’ve been abandoned by their guild, and are losing their health coverage.’
The resignation letter is classic Trump; a reminder of why we “the-deplorable-little-people”, which includes 75 million+ Americans, and many more worldwide, still respect the imperfect man’s steadfast grit and love for his country, despite being the primary target of irrational hate from an all-too-powerful, and smug elitist caste.
Trump’s move also disarms far-Left Democrats from using any Hollywood verdict of ‘guilty as charged’, ‘off with his head’ exile, as a precedent, or proof of his guilt, in its own potential State sponsored criminal [show] trial.
Despite Biden’s mandated ‘healing and unity’, many Democrats have made it clear that they’re not through with trying to punish the man who dethroned the Clintons, and helped awaken the world to the free-pass handed to powerful allies in Hollywood. (E.g.: Weinstien; Epstein et.al)
It’s the kind of trial that’d make Nazi, people’s court judge Roland Freisler jump with whatever is the fascist equivalent of joy.
Alongside an over-excited Goebbels ready, with pen and paper, to spin the “historic” and “unprecedented” act of “social justice” quelling “dangerous” hate-speech from individuals deemed enemies of the Reich.
Of course, Hollywood’s relationship with Nazism borderlines morbid obsession. There’s a reason why we see few movies portraying the war crimes, and human rights abuses from other countries under Socialist rule.
It’s worth noting that Hollywood’s Anti-Nazi league (later run by Communists, once they booted Christians) [i] practised a policy of neutrality, courting the Third Reich and its cinema market.
Let’s not forget that the league went silent in their opposition to Nazism, when Soviets signed the Molotov–Ribbentrop non-aggression pact with the Nazis, which saw the Nazis and Communists tear apart Poland, and enslave the Polish people.
Hand-in-hand, both Nazi and Communist, socialists one and the same, mined Poland to satiate the wolf (Nazi) and the bears’ (Bolshevik) socialist empire building, blood lust. [ii]
After four years of anti-Trump hysteria, Hollywood’s obsession with Nazism begins to look a lot more like admiration.
If the attempt to try Donald Trump reveals anything, it’s not Hollywood’s anti-Nazism, it’s Hollywood’s fascination with fascism.
As Thomas Doherty observed,
‘In the digital age, the collection and repackaging of images of the Nazis remains a growth industry, sustaining documentary features, action films, and cable channels.’ (Hollywood & Hitler, p.371)
It’s fair then to ask:
Do the dollars attached to Hollywood’s obsession with the Nazi worldview mean that Hollywood is essentially marketing Nazism?
Does this explain why they a) don’t speak about the just-as-equal evils of socialism, and b) are quick to spread alarmism about a so-called “far-right extremist” crisis?
Nazism and Communism are two wings on the same vicious bird.
It’s a shame that the subjective bias of Hollywood has held them back from speaking this truth to power.
References:
[i] The Communist beachhead in Hollywood caused a split, which created the far-left’s Popular Front, and the Catholic, National League of Decency (formed in 1934).
Doherty, T. 2013 Hollywood & Hitler: 1933-1939 Columbia University Press
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