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Social Media Accounts Linked to Biden’s Dogs Deify Biden, Attack Trump

Obscure social media accounts calling themselves “fan accounts” of Joe and Jill Biden’s dogs must have missed the “Healing and Unity” Joebama memo.
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Obscure social media accounts calling themselves “fan accounts” of Joe and Jill Biden’s dogs must have missed the “Healing and Unity” Joebama memo.

One Instagram post shows Biden’s dogs trying to tear apart a chew toy of Donald Trump with the caption claiming that the photos were from Naomi Biden who ‘took them during a Tug of War match.’

Another, which was also shared to the “Oval Pawffice” Twitter account showed Biden in sunglasses showered in radiant yellow light, resembling propaganda images of a Latin American dictator.

Screenshot from Instagram: first_dogs_usa

The Hill reported that the social media accounts were an ‘ode’ to ‘Champ and Major Biden’, which went viral on Twitter’ after a mysterious spike in voter numbers handed the November 2020 election to the 78-year-old, 44-year career politician.

The accounts boasting of Joe Biden’s apparent election “win” went live in November, and their intimate content infers that the owner of the accounts must have some strong, inside connection to the alleged President-elect.

Images celebrating physical violence towards President Donald Trump aren’t surprising, given four years of Democrats campaigning on a platform of hate, division and lies, but they do raise questions about the mangled hypocritical contrasts between the exhausting, open war of criticism against the Trump family, and the cone of protective silence being put up around Joe Biden and his son.

Noteworthy, the many intellectual class pundits, theologians and Pastors who were convinced that “Trump was literally Hitler” in 2016, are nowhere to be seen or heard from, on the blatant deification of Joebama Harris Clinton as a second revelation of Christ.

Biden and the Democrats already have their Storm Detachment,  Sturmabteilung, ersatz pre-election Kristallnacht, and one party ruled states, all that’s missing here is Leni Riefenstahl’s ‘The Triumph of the Will.’


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